from Issue #8: Poetry by Sarah Rice

Photo (CC) Kevin Dinkel @ Flickr

Photo (CC) Kevin Dinkel @ Flickr

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Breakers

Each wave
before it falls
…………….in a white-wash
…………….of its own decay
aims
I think
to make it …………whole
……………..to shore

not one
ever does

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Indelible

Certain things don’t come out ever.
The blue mould aura in the cracked
ceiling of the bathroom. Bleach,
absence writ large as presence,
in the royal blue tracksuit.

The ring stain on the mattress
of unknown origin, matter, fluid,
lover, that leaves it to be rejected
on the doorstop, even by the Salvos,
despite the knowledge that many
tonight will be sleeping on worse.

Things said to you on the school bus
to which you had no answer.
The discolouration of the bottom lip,
chewed over and over, leaving a tooth-
shaped bite of purple in the flesh.

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Centre

The centre of me moves

…………………………Today for instance
it is that hollow place beneath the ears
where the gland dwells in its jaw cave
Sometimes it is the drumming gut
Sometimes breath
…………………………or a woman
and sometimes
that dark cavern under the ribcage
of Rembrandt’s Anatomy Lesson
…………………………horribly emptied

…………………………At least
these are all the places
at which I can be undone.

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ABOUT THE AUTHOR

SARAH RICE won the 2014 Bruce Dawe poetry prize, co-won the 2011 Gwen Harwood Poetry Prize, placed third in the 2014 FAW Shoalhaven Literary Awards, and was shortlisted in the 2014 ACU, 2014 Axel Clark, 2013 Montreal, 2013 Tom Howard, 2013 Jean Cecily Drake-Brockman, 2011 CJ Dennis and 2011 Michael Thwaites poetry awards. Her limited-edition art-book of poetry Those Who Travel (prints by Patsy Payne, Ampersand Duck 2010) is held in the NGA as well as other private and public institutions and libraries. Publications include the Global Poetry Anthology 2013, Award Winning Australian Writing and Best Australian Poetry 2012, Long Glances: A Snapshot of new Australian Poetry 2013, Island, Southerly, Australian Poetry Journal, and Australian Book Review (forthcoming).

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New Double Issue launch on 10 April!

Contrappasso Double Issue, April 2015

Contrappasso Double Issue, April 2015

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Roll camera…

Contrappasso starts its 4th year with a DOUBLE ISSUE.

Writers at the Movies, edited by Matthew Asprey Gear and guest Noel King, brings together many kinds of artists who have been captivated by film: its imagery, history, personalities and political edge. Across essays, fiction, poetry, interviews and photography, the contributors are James Franco, Emmanuel Mouret, Sarah Berry, Barry Gifford, Michael Atkinson, Luc Sante, R. Zamora Linmark, Richard Lowenstein, Anthony May, Michael Eaton, Jon Lewis, Jonathan Rosenbaum, Scott Simmon, Clive Sinclair and the late, great Richard Hugo.

Companion issue Contrappasso #8 takes the journal’s adventures in international writing further and wider, with its biggest selection of new fiction and poetry, from nine countries.

There’s an interview with Filipino authors F. H. Batacan and Andrea Pasion-Flores, plus stories by Pasion-Flores, US authors Rick DeMarinis and Kent Harrington and, in a Contrappasso first, a long-overdue translation of Argentine modernist author Roberto Arlt (with translator Lucas Lyndes)…

…plus the most poetry in any Contrappasso issue, with work by Nicaragua’s Blanca Castellón (translated by New Zealand’s Roger Hickin), Spain’s Alicia Aza (translated by J. Kates), China’s Lu Ye and Geng Xiang (translated by Ouyang Yu), New Zealand’s Kerrin P. Sharpe and Mary Macpherson, the UK’s Bill Adams and Richard Berengarten, the USA’s Floyd Salas and J. Kates, and Australia’s Elias Greig, Philip Hammial, Travis McKenna, Sascha Morrell, Tony Page, Sarah Rice, Frank Russo, Page Sinclair, Alex Skovron, Paolo Totaro, Lyn Vellins, Luke Whitington – and one of the last poems by the late, much-missed Morris Lurie.

This Contrappasso DOUBLE ISSUE presents the most writers so far, across the widest range of fields.

And… cut.