from Issue #8: Poetry by Bill Adams

Photo (CC) Vic Nicholas @ Flickr

Photo (CC) Vic Nicholas @ Flickr

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Wren

This is a bird’s back
Keeled as a breastbone
Fragile as a bag of sticks
Creaking like a matchbox.

Life is still a kind of test
You pick at details out of place
Lose concentration for a moment
And everything will come to pieces.

Your pinched body shrinks
To the essential kernel of discomfort
A sharp questing wren, forced to perch,
Flinty with disapproval.

Your bones are hollowing,
Soon you will simply blow away,
And we will hold only echoes of sharp song,
The self-belief that framed us

 

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Halloween

Tonight is the night that old dogs bark
And kids fill bus shelters,
When leaves give up and slump
Like plaster in a roofless house.

Tonight, car drivers desperate to get home
Jump lights and shave corners.
It was dark early – the fog
Is thick as ash and eats sound.

Tonight, November shambles forwards,
Asthmatic and grey-faced, sucking out the light.
The thinning hedge is a shrew ash,
Dressed with plastic. The festivals

We use to ward off darkness,
Tonight start to reveal themselves,
Stalk empty streets,
And search for souls.

 

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Barn Owl

Wings supple as a scarf:
Rigged to perfection,
That box fuselage
Stretched canvas over bent sticks;

Inside, a small hot body,
The rest is buoyancy.

Launched across the thin grass
You float beside the hedge,
Dipping and rising, a lilting tune
Against the dark blackthorn stave.

But this is not a maiden flight,
Your eyes miss nothing:

A roving drone, with death
Slung sheathed beneath you.

As the cooling air thickens
Wingtips sense the layered currents,
You turn, a shark quartering a reef,
Flip across the hedge, gone.

Ghost bird, for years your blank eyes
Watched me grow up, face pinched with disapproval.

Now I see you sometimes, towards dusk
In desert camouflage,
Fragile in the light air, drifting,
And I think, where did it all go?

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ABOUT THE POET

BILL ADAMS teaches about the complex relations between people and nature in the Department of Geography at the University of Cambridge. He has published various books on conservation and development, including Wasting the Rain (Minnesota University Press, 1992) Future Nature (Earthscan 1995), Against Extinction (Earthscan 2004) and Green Development (Routledge, 2009). Bill lives in a village just within bicycling distance of Cambridge, and blogs on conservation at thinkinglikeahuman.com.

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New Double Issue launch on 10 April!

Contrappasso Double Issue, April 2015

Contrappasso Double Issue, April 2015

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Roll camera…

Contrappasso starts its 4th year with a DOUBLE ISSUE.

Writers at the Movies, edited by Matthew Asprey Gear and guest Noel King, brings together many kinds of artists who have been captivated by film: its imagery, history, personalities and political edge. Across essays, fiction, poetry, interviews and photography, the contributors are James Franco, Emmanuel Mouret, Sarah Berry, Barry Gifford, Michael Atkinson, Luc Sante, R. Zamora Linmark, Richard Lowenstein, Anthony May, Michael Eaton, Jon Lewis, Jonathan Rosenbaum, Scott Simmon, Clive Sinclair and the late, great Richard Hugo.

Companion issue Contrappasso #8 takes the journal’s adventures in international writing further and wider, with its biggest selection of new fiction and poetry, from nine countries.

There’s an interview with Filipino authors F. H. Batacan and Andrea Pasion-Flores, plus stories by Pasion-Flores, US authors Rick DeMarinis and Kent Harrington and, in a Contrappasso first, a long-overdue translation of Argentine modernist author Roberto Arlt (with translator Lucas Lyndes)…

…plus the most poetry in any Contrappasso issue, with work by Nicaragua’s Blanca Castellón (translated by New Zealand’s Roger Hickin), Spain’s Alicia Aza (translated by J. Kates), China’s Lu Ye and Geng Xiang (translated by Ouyang Yu), New Zealand’s Kerrin P. Sharpe and Mary Macpherson, the UK’s Bill Adams and Richard Berengarten, the USA’s Floyd Salas and J. Kates, and Australia’s Elias Greig, Philip Hammial, Travis McKenna, Sascha Morrell, Tony Page, Sarah Rice, Frank Russo, Page Sinclair, Alex Skovron, Paolo Totaro, Lyn Vellins, Luke Whitington – and one of the last poems by the late, much-missed Morris Lurie.

This Contrappasso DOUBLE ISSUE presents the most writers so far, across the widest range of fields.

And… cut.